Television in 2026 is not television in 2010. License fees have compressed, deficits have widened, back-ends are negotiated separately from greenlights, and pilots have become "presentations" or proof-of-concept episodes. We finance against this reality, not the one that died with the cable bundle.
Fund your series in one transactionBy default, the entire amount is wired as a single clean injection — no tranches, no milestone gates, no re-approval. If your production requires cash-flow discipline, deficit bridging, or you simply prefer tranched disbursement, that structure is available and optional. You choose.
A buyer's room rarely greenlights a series cold. A funded presentation, sizzle, or pilot is the lever that gets you in front of decision-makers with leverage instead of hope. We finance that lever.
License fees rarely cover the budget. The deficit is the entire game. We structure capital to bridge it cleanly, without locking the producer out of back-end, AVOD/SVOD residuals, and international rights they should retain.
The streaming era stripped traditional syndication revenue. The fight is now over modified-adjusted-gross, profit participations, and ownership in spin-offs and adaptations. We do not contest your back-end — we participate cleanly in defined economics that leave your upside intact.
A limited series is a closed economic model. A returning drama is a multi-season cash-flow problem. Unscripted is a different business entirely, with format ownership as the asset. We price each correctly, not with one spreadsheet.
Streamer-direct, AVOD, FAST channels, broadcaster co-productions, and international territory deals each carry their own paper. We work with sales agents and producers' reps you already trust; we do not insist on ours.
We do not staff the writers' room. We do not get a script note. We do not approve cuts. The showrunner runs the show. That is the deal.
Closed-end prestige drama and event television built to one finite story.
Drama, comedy, and genre with multi-season runway and defined deficit math.
Funded sizzles, proof-of-concept episodes, and presentation pilots to land a buyer with leverage.
What to send: series bible, pilot script (or presentation script), budget per episode plus pattern budget, showrunner and key attachments, any buyer or platform conversations in progress, and deficit/license-fee assumptions. Clear deficits move first.
Whether you need pilot capital or a full-season deficit closed — bring us the package.
Submit your project →Every Quantum Entertainment Fund deal is bound by a single standard: what you read is what you sign, and what you sign is what gets wired. No upfront fees, no hidden clauses, no side letters, no creative interference. One licensed broker carries sole financial responsibility on every transaction.
Profit-share and/or small % budget-share economics. No collateral demands, no liens against your IP, no debt service eating into production. We do not gouge percentages. Our compensation is proportionate to the project as per terms of agreement. Our incentive is to fund more deals, not gouge a single project.
That is our only compensation per deal at present time. Any additional compensation per project is optional, and offered by you.
Once you are funded, you are funded — and you are in full control. No greenlight committee can pull the plug. No regime change upstairs can shut you down mid-build. The wire lands whole, and the work belongs to you.
We never own the creator's IP at any point in this process. Characters, world, code, masters, and underlying rights remain entirely with you, from the first wire to the final release and beyond.
The creative advisor is the business partner of this fund — shaping the editorial standard and reading projects on the creative merit. The creative advisor does not handle funds, term sheets, or any regulated financial activity. The licensed broker is solely responsible for all financial operations — licensing, term sheets, signatures, wires, and every regulated function.